Wednesday, August 1, 2012

THE INTOUCHABLES


This feel-good French fairy story with its funny hybrid title is about a pair of ‘untouchables’.  One is Philipe a very wealthy Parisian aristocrat who is now paralyzed from the neck down after a paragliding accident, and the other is Driss an African immigrant newly released from jail and living in the projects who unwittingly becomes Philipe’s carer.  Driss had only reluctantly turned up to interview for the position just so that when his inane application was rejected he could qualify for Welfare Benefits.  However something in his cocky demeanor appealed to Philipe who wanted to move on from all the do-gooding nurses who just patronize and pity him.

Over time a real tight bond develops between this refined elegant man and this handsome giant of a man from the ‘hood’: each recognizing a need in the other that they can and do fulfill albeit by unconventional means.  Driss’s energy and passion, as crude as it is, transforms the boring daily grind of man who can do nothing at all for himself, and in turn he is exposed to people and a culture that is alien to him but starts to rub off his rough corners.

Even though this is based on a true story to give it a ring of authenticity, the whole set up of privileged white man helping black underclass is far from new, and I will admit may not sit well with everyone.  If you can see pass the stereotyping and maybe not be too rigid (uptight?) about being completely pc just for 100 mins., then you will appreciate that this is a truly wonderfully funny tale of humanity and humor that will have you grinning from ear to ear from the very first hilarious opening sequence. The chemistry between the two lead actors is electric and make this enchanting movie so very believable and highly enjoyable. Philipe is played by veteran French actor Francois Cluzet who can steal scenes even though he can only move his head, but the irrepressible Omar Sy shines out as Driss and I wouldn't be at all surprised if he didn't start collecting a few Awards for his stand-out performance.

It's been an enormous hit in France and if it wasn't for the fact the it has subtitles which Americans hate, it would be a mega smash here too.  My tip is see it now, as I know Hollywood will remake it and not take nearly as much care in the casting, and thus lose all the subtleties of the acting and the story.

Unmissable.