Sunday, February 27, 2011

THE CONCERT


Thirty years ago Andrei Fillipo was the renowned director of the Bolshoi Orchestra when his starry career was abruptly cut short and he was dramatically fired mid concert for hiring Jewish musicians.  He has now been reduced to being a janitor at the Bolshoi Theater and when he’s cleaning the Director's Office one day a Fax comes in from the prominent Chatelet Theater in Paris inviting the Bolshoi to play there.  Filipov steals the fax and decides to re-form his old orchestra to perform in their place and so sets about gathering together an odd assortment of rather scruffy musicians from his Gypsy and Jewish friends to pay his beloved Tchaikovsky Violin Concerto once again.

He demands that the Chatelet Management hire the star violinist Anne-Marie Jacquet to be the Soloist but we discover that his reasoning for this choice is not just based on her talent and fame but on a dark and hidden secret that is in fact the whole impetus of the Concert.

Part farce, part melodrama this charming French movie by Romanian director Radu Mihaileanu is a real ragbag like the Orchestra itself.  It milks every drop of the dramatic schmaltz music of the Concerto (wonderfully filmed) with some unashamedly tear-jerking moments, but then slips in some unnecessary ridiculous comic scenes that bring you up short. However there are also some wonderful inspired farcical moments that are completely hilarious.

The Russian actor Alexei Guskov gives a remarkable sorrowful performance as Filipov, but the highpoint for me is probably Melanie Laurent as Anne-Marie, and just as with her turn in ‘Inglorious Bastards’ she is so radiant on screen she adds a crucial dimension to the emotional drama, as well as totally convincing us that she really is playing that violin!

Far from perfect, but most enjoyable.

★★★★★★★

Saturday, February 26, 2011

CLIENT 9 : THE RISE & FALL OF ELIOT SPITZER

After watching ‘INSIDE JOB’ the Oscar nominated Documentary that tales a really close look at what brought about the global financial meltdown I really wanted to know more about Eliot Spitzer who, as New York State Attorney General had been the ONLY single person to actually do anything about curbing all the excess, malpractices and fraud on Wall Street. 

Written and directed by award winning Alex Gibney ('Taxi To The Dark Side’, ‘Enron, The Smartest Guys In The Room'), it follows the strange tale of how Eliot Spitzer an agressive reforming popular Democrat Governor was brought down and ultimately resigned when the FBI exposed a high class Escort Agency that he had been using on a regular basis.  The fact that Spitzer was guilty of a moral lapse and deceit was never denied by him, and he speaks frankly on camera in some detail about the situation.  The real question that the movie raises was the concept of a conspiracy by all the embittered tycoons who he had the courage to investigate and, in some cases institute criminal charges.  Nothing is totally proven, but its difficult not to reach the same conclusion that Gibney’s movie does, and that there were undoubtedly some powerful people out to get Spitzer.

What I admired about the film was the fact it took great strides not to be piece of propaganda, and I came way feeling that the country had lost a great politician simply because of sex.  After all, as the film points out President Clinton not only survived getting a b.j. in the Oval Office but he is today one of the most popular politicians in this country.

Spitzer is a very likable man and the only thing I found discomforting was that his favorite word that he repeats all the time is hubris, and yet something I think he was being slightly arrogant himself thinking he would never ever get found out.


Unmissable.


★★★★★★★★
Click for Trailer

Friday, February 25, 2011

MISSISSIPI DAMNED

This rather harrowing narrative about an extended black family in the 8os’ & 90’s in semi rural Mississippi was an inspired choice for the opening movie of ‘O’ Cinema, Miami’s newest edgy Art House Theater. A deeply disturbing debut film from writer/director Tina Mabry, which is even more disturbing on reflection when I discovered after viewing that the story is totally autobiographical.

It follows three children struggling to grow up in households where a parent is trying to make ends meet on the meager pay of a low-skilled job, and the obstacles that exasperate their daily lives.  There’s addiction, violence and abuse and denial about it all, which leads to such despair that blights the children’s lives despite the early hope that, unlike their parents, they would rise above it all.  One of them actually does, and she is the bright hope that gives a much-needed glimpse of optimism to this sad picture.

As dark and depressing as the story is, its still rather compelling viewing due to an amazing ensemble of talented actors who make this a powerfully gripping experience.

As part of the Programming Committee of MGLFF in 2009 I (we) thought it unsuitable for our particular audience and we never showed it.  It went on to win 2 major Awards at other Gay & Lesbian Festivals, so maybe I (we) was wrong.  Wearing no hats but my own this time, I found this very disquieting film emotionally draining by all the issues it confronts, but I am extremely glad I did watch it again. 

If our new indie  ‘O” Cinema gives a home to stunning wee movies like this, then maybe they will have a chance to reach the audiences that they so deserve.


★★★★★★★

Wednesday, February 23, 2011

THE AMERICAN

This movie didn’t really appear on my radar when it opened in the US in September 2010.  It was after all a small film with a Big American Star with an unknown, but pretty cast, with unpronounceable names.  However I had one of those ‘Kevin Bacon 6 Degrees’ moments on the plane yesterday and suddenly was intrigued to watch it.  The screenplay was by Rowan Joffee, who directed and wrote ‘Brighton Rock’ which I so enjoyed in London last week.  ‘Brighton Rock’ starred Sam Riley who had given his breakout performance in ‘Control’ the movie based on The Joy Division which Anton Corbijn directed.  Mr Corbijn also directed ‘The American’.  And there we have it.

Beautifully shot on location in the very picturesque Italian countryside, this is one of those thrillers where everybody chases each other in cars and carries a gun and shoots strangers dead before they even chat to them which kind of makes it tougher to work out who’s a goodie and who’s a baddie , but more importantly, what the frigging plot  is actually about.  George Clooney seems to just sail though it being George Clooney, and as always being distracted by a pretty girl, and the only difference being that in this movie he orders his daily espresso in Italian (complete with a bad accent).

It’s intense and tricky, and maybe a tad too clever for it’s own good.

★★★★★★

Saturday, February 19, 2011

BARNEY'S VERSION

Barney seems to sail precariously through his drama-packed life, but we are never sure how or why.  At the reception party for his second marriage his falls head over heals for a total stranger after one breathtaking glimpse and pursues her recklessly and persistently for months until she caves in just when he manages to get un-wed again.  The fact that Miriam is played by the sublime Rosamund Pike makes sense, but why a beauty should fall for an unkempt overweight vulgar un-attractive mess like Barney doesn’t. But they do marry, make a life together, have two children and live happily for years until Barney blows it all and even Miriam’s seemingly endless patience can take no more.

I’ve skipped through what is rather a lengthy plot which starts with a young Barney sowing his wild oats in the 1970’s to the present time when is grappling with the onslaught of Alzheimer’s.  Despite all the detail, and the fact that he is essentially a very likable character, we never get to really know who Barney is.  Paul Giametti is in his element playing yet another irascible excessive oddball man who both irritates and intrigues us at the same time and who we cannot fail to like (think Harvey Pekar in ‘American Splendor’, and Miles in ‘Sideways’).  His energetic and intense performance makes this rambling and slightly confusing comic drama based on Mordecai Richter’s best selling novel well worth watching. 

R.T.V. Mr. Giametti’s star turn may have won him a Best Actor Golden Globe, but if there was another award for scene stealing, I would un-hesitantly give it to Dustin Hoffman who is superbly funny as Barney’s father.  However I would reserve the main prize to remarkable talented Brit actor Rosamund Pike who’s quiet understated performance as the put-upon wife was a sheer joy to watch in this her first , hopefully of many, Hollywood leading roles.

★★★★★★★
Click for Trailer



Tuesday, February 15, 2011

BRIGHTON ROCK

It’s so hard to avoid not being more than a tad suspicious when some bright spark decides to remark a classic film noir, esp. when they turn out to be such insipid copies of the original.  Think the stunning ‘Plein Soliel’ turned into ‘The Talented Mr. Ripley’.  Remember? I rest my case! 

So I was more than a little concerned when I read that writer Rowan Joffe, on a high after his very successful screenplays  for ‘Control’ & ‘The American’, chose to adapt Graham Greene’s classic novel ‘Brighton Rock’ for his movie-directing debut.  For the 1947 movie Greene co-wrote the screenplay with none other than Terrance Rattigan, and with Richard Attenborough giving a breakout performance it is treasured Brit movie.

Joffe has transposed this story of small league gangsters in this seaside town from the 1930’s to the mid 1960’s and enhanced the period piece by invoking the social unrest between the youth factions of Mods and Rockers of the time. Brighton Rock is a great wee story about a young socio-path Pinkie who is hell-bent on clawing his way to becoming the boss of one of the crime gangs who are running the town.  Trying to cover his tracks on a couple of bungled murders and exerting his own eye for an eye justice, he crosses swords with both Mr. Colleioni … the local Mr. Big … and the police.  Pinkie’s one ace is the meek impressionable waitress Rose who is an inadvertent witness. and he manipulates her affections to keep her quiet.  It is however Rose, and her unconditional devotion, that ends up putting their lives at risk.

R.T.V. We Brits do excel at period pieces and this is no exception.  An exhilarating fast paced drama that is an impressive directing debut.  Sam Riley, who we first really noticed on our screens  as as a superb Ian Curtis in ‘Control’, is a pitch-perfect Pinkie with his scar and scowl and has a real edge that nice Dickie Attenborough never had.  And what a delight young Andrea Riseborough is as Rose .. I loved the one scene where she hollered out the top of her voice, totally out of character  ' I Wanna Be Bad!’  Me too.

Such a pity these two young leads were so poorly served by Helen Mirren, who I thought could never do wrong, but was so uncomfortably miscast as a 50 year old Restaurant Manager/Really-A-Good-Woman, and John Hurt, who was indescribably bad as a Turf Accountant/Bookmaker.

Even so, I still think this is on my ‘un-missable’ list.  And have I changed my minds about re-makes?  I have to confess that I need to re-watch the 1947 movie again as I don't remember all the details that much.  Trouble is I may have difficulty doing so back in Miami as the movie was only released for a couple of weeks in the US as recently as 2007  (re-titled 'Young Scarface').  Why?  I have absolutely no idea. 
 
P.S. Available now (2013) on Amazon VOD
★★★★★★★


Wednesday, February 9, 2011

THE COMPANY MEN

The company in question is in fact a corporation called GTX which once  made things that were real like ships but now it just makes money, bucket loads of it.  And it  did this very well until the credit crunch of 2008 happened and suddenly everyone started to feel the pinch.  Evidently the stockholders felt it most and to appease them and keep the stock price high, the CEO, without a moment's hesitation, instructs his lawyers to lay off several thousands of people at a time with scant regard of the consequences on any of their lives.  The fact that the Company Men in this case are not blue-collared manual workers but wealthy and privileged executives earning 6 figure salaries and driving Porsches and living in fancy houses, means that I guess in the bigger scheme of things one really should not feel that sorry for them.  After all they may be jobless, and the Porsche may have to go, but they are not exactly on welfare.  But somehow I did.  Just a tad.  Care that is.

Could be cos the fact that life-altering situations such as this do impact all ‘victims’ and their families on a major scale regardless of the size of their (last) pay packet.  Some people never ever recover, but others like 2 of the main protagonists here, actually come through it having reclaimed some of their ideals and principles that they had sacrificed clawing their way up the company ladder.

Could be also that this is a really well crafted movie that has been made by some very powerful talent both sides of the camera.  It’s the feature film directing debut of John Wells the multi-Emmy winning main man behind such mega TV hits such as ‘ER’ and ‘West Wing’ .  And his most impressive cast of acting heavyweights includes no less than 4 Oscar winners viz. Ben Affleck, Timmy Lee Jones, Chris Cooper and Kevin Costner.  It was the reason that I saw the movie, and I’m glad I did as it was at least entertaining.  And it made me think too.  Just a tad.
★★★★★★
Click for Trailer

Tuesday, February 8, 2011

BLUE VALENTINE

Last January at my first Sundance I discovered movie fatigue.  Well, that’s what I thought at the time when I came out of a screening of ‘Blue Valentine’ extremely under whelmed, yet seemingly everyone else there was raving (!) about the film.  Flash forward to now when the movie  is on the big screen at the Multiplex and I felt the need to revisit it to see what, if anything, I missed.

Dean and Cindy are a young working-class married couple working hard simply to keep afloat.  Dean was a high school drop out from a broken home whose ambition never exceeded beyond anything other than marrying Cindy who he fell in love with at first sight. That, and a few beers, maybe too occasionally. Cindy, also from a dysfunctional home, is a nurse  but believes life has more to offer, which kind of sets at odds with her hubby.  The movie flashes back and forth between the start of the relationship, and the 6 years in between, until the present time as if it is trying to remember what went wrong.  It’s never really clear why they fell out of love, as it isn’t often in life off the screen, but they do, and that’s it , it’s over.

R.T.V.Michelle Williams and Ryan Gosling are a truly delightlful couple of very talented actors who make these characters their own, and with  a real, sizzling chemistry between them.  I guess Dean ( aka Ryan) is meant to be the villain of the piece, or the scapegoat for the failure of this marriage, but somehow to me it didn’t feel so. 

I remember too why I reacted so at Sundance. I found as the movie constantly flashed between the past and the present its storytelling lost some of it clarity.  This time it made more sense, but still a tad confusing, and it makes me upgrade my view of this charming wee movie, but I still wouldn’t ever have considered it as an Oscar Best Movie potential.
★★★★★★★

BIUTIFUL

If I were a member of the Academy I would give the Best Actor gong to Javier Bardem for his heart-wrenching performance as Uxebel in ‘Biutiful’.  It’s not that I do not appreciate Mr. Firth’s stunning stammering turn which will inevitably get him the Oscar, its just watching Mr. Bardem intriguingly peel back all the different layers of his complex character really transports you to such a high.  He is unquestionably the consummate actor: one of the very finest of this generation. 

This being an Alejandro Gonzalez Inarritu movie (‘Babel’,  'Amores Perros') it is naturally quite complicated to say the least.  So here are the mere bones.  Uxbel is a chancer.  He acts as a go-between for the Chinese sweatshops that make fake designer accessories in Barcelona and the illegal immigrant Africans who hawk them in the street,  and he also pays off the Police to keep them of all their backs. None of that turns out well; in fact the outcome becomes fatal.  And playing against stereotype this tough criminal is the most devoted father to his two young children, which is kind of helpful as his estranged wife is bipolar plus and some.  Added to that is the fact that Uxbel is some sort of Medium that can talk to the recently deceased to see if they are happy about leaving, which is a mixed blessing when he discovers that he has terminal cancer himself and his days are numbered.  Still with me?

It all gels together and you are soon drawn in and engaged (thanks mainly to Mr. Bardem) as this complex drama unfolds.  It mixes toughness with tenderness, and despite the sheer wretchedness of operating in the seedy shadows of society and the ultimate tragedy that is to befall him there is no trace at all  of melancholy in Uxebel.

A powerful and compelling movie that even as I write I know I need to go back to watch it all again.  For me BIUTIFUL is near-prefect, and easily one of THE best movies of the year.
★★★★★★★★★★


Thursday, February 3, 2011

ANOTHER YEAR

Tom and Gerri have been together since they met at University and now, nearing retirement age, are that rare breed of being a truly happily married couple. In their idyllic life, which seems to revolve a lot around gardening together, their geniality makes them a magnet for some very unhappy people.  There is Ken an overweight very old friend whose depression makes him manically continuously eat, drink and smoke; and Mary who’s a work colleague of Gerri, who’s lonely, terrified of losing her youth and drowns her sorrow in drink and is oblivious to the fact that she stretches their usually unlimited patience almost to breaking point.  

The movie follows another year in Tom & Gerri’s seemingly blissful life where they work, garden, feed their friends, pray that they very well-adjusted 30 yr. old son will find a girlfriend  (and he does).  But among all this positive energy of life moving forward there is Mary whose delusions are regularly shattered one by one and seems to be rapidly spiraling downwards.

R.T.V. This immensely enjoyable very human comedy/drama works on every level because as in every Mike Leigh film these are well-constructed characters who are very real and that we can relate to warmly (except Mary …. esp. as we may all see a part of ourselves in her).  And without exception they are played by the caliber of fine actors that Mr. Leigh always casts; Jim Broadbent and Ruth Sheen as the leads are unquestionably brilliant but this is very much Lesley Manville’s picture: her superlative turn as Mary is sparingly spot on and totally wonderful.


P.S. It always brings me up sharp when I sit in Miami and watch a Mike Leigh movie as they are so quintessentially English and it reminds for moment that I am too.

★★★★★★★★★
Click for Trailer

Wednesday, February 2, 2011

SUNDANCE '11

R.W.D. AT SUNDANCE '11



BEATS, RHYMES & LIFE.  THE TRAVELS OF  TRIBE CALLED QUEST.




A Tribe Called Quest is an American Hip Hop Band formed in 1985 that achieved a great deal of success with their first three albums and disbanded in 1998, but then got back together in 2005 to tour the country again.  Their became recognized as innovators at fusing hip hop with jazz and hip-hop winning them some prestigious awards.  Even so, I just didnt get it.  Maybe I’m too much of a white Brit Methodist and I never ever got to meet such characters as Q-Tip (also known as Kamaal Ibn John Fareed, and formerly Jonathan Davis).  But at least I tried.  And for an entire 45 minutes.

BECOMING CHAZ

This highly personal film documents part of the journey that Chaz Bono takes to become a transgendered man.  He is remarkably brave, strikingly honest and an extremely likable person who allows the cameras to record the crucial steps of taking the necessary hormones and then having the vital breast surgery and how all of this effects not only his partner Jenny,  struggling with her own sobriety,  but also his family.  His mother gives a thoughtful and considered interview and is later seen being more supportive on David Letterman TV Show, but despite her carefully chosen resolute words, it is clear that Cher is really struggling with accepting her child’s life altering changes.

This is the latest work from two of my favorite queer filmmakers Fenton Bailey & Randy Barbato who hooked me back  in 2000 with ‘The Eyes of Tammy Faye’ and have been producing sensationally stunning movies and TV ever since.  This movie will however stand up as one of their best in their extensive output of excellent work.  Go see …. BUT maybe don’t take Cher with you.  Or better still turn the TV dial to the new OWN Channel as Ms Oprah Winfrey already has plans to show this one real soon.
★★★★★★★★


BEING ELMO.








A look behind the man behind the puppet who is one of the most cherished characters watched by millions of kids every day on Sesame Street.  This fascinating story is of how Kevin Clash went from awkward teenager growing up in dilapidated area of Baltimore and ended up as part of Jim Henson’s team of Muppeteers and eventually taking over artistic control of Sesame St. itself.  Kevin the man is as likeable as Elmo the puppet; a determined workaholic who damaged his own home life by his relentless drive to perfect his art and bring joy to so many kids around the world.
A compelling movie of a beguiling man that was a real treat to watch...... and as a plus point, it's narrated by Ms Whoopi Goldberg.
★★★★★★★★


THE BENGALI DETECTIVE







This ingenious documentary follows the most unlikely man ever to be a detective, and his ham-fisted staff, as they tackle a wide ranging and often-bizarre set of cases.  One minute they are tracking down counterfeit shampoo, the next following a cheating husband, and then a brutal triple murderer.  In between all this they find time to enter a Television Talent Dancing Show even though not a single one of then has any sense of rhythm, but they are still happy enough to be abused by the pretty female choreographer who forces them through their paces wearing quite ridiculously camp outfits.  And if this wasn’t enough the Detective's young wife dies and we are treated (!) to the sight of a ritual Hindu Funeral Pyre.


Despite the fact that there are far too many strands of stories to follow, this movie is unreservedly truly delightful. If only US (or UK) Reality TV was half as natural and real as this,  it may even be worth watching.

This is on my list of ‘go see’, and do it before it gets the  ‘Hollywood Treatment' as a major studio has purchased it to turn it into a Major Feature Film.  Lets only hope they pick Ms Zeta Jones to play the wife!
★★★★★★
Click for the first Trailer

THE CATECHISM CATACLYSM

Father Billy is an awkward young priest who seems to be losing interest in the Church much to the concern of his Superiors who urge him to take a vacation to think things through.  Having no real friends at all he tracks down an old school chum who he manages to begrudgingly agree to take a short canoe trip with him.  They have very little in common which I guess was meant to be the basis of the comedy in the movie, but as I found it so totally unfunny I never actually lasted long enough in the theater to see how the trip finished.

As we dashed out there was genuine laughter from the small audience, so maybe it’s just me.  But then again, maybe it is not,  as I obviously have less catholic tastes.

THE CINEMA HOLD UP

Four teenage boys who live in Mexico’s Guerrero colony and have too much time on their hands and they spend most of it drowning their problems in a haze of marijuana, lusting after the girls in the park, skateboarding, and spraying graffiti over the neighborhood walls.  One day when they are both bored and broke they come up with the mad idea of robbing the local cinema.

The plot soon appears ill conceived, as does the movie itself, and after an hour of being bored out of my skull, we checked out the theater.  The promise the movie offered never materialized, but the fact it was an Official Selection at Sundance … no mean feat … means that it must have some redemption, that I failed to find


CiRCUMSTANCE

This coming-of-age story tells of two teenage girls, who are best friends, dealing with all the restrictions of growing up in Iran today.  The girls are exploring their emerging sexuality as they become part of Tehran’s underground party scene. When an older brother straight out of drug rehab becomes a religious zealot and even joins the infamous Morality Police, the once liberal outlook of their wealthy families starts to dramatically change, and the girls very existence is in danger.

This incredible movie from first time director Maryam Keshavarz is a superb, if not scary, look at the conflicts and struggles in contemporary youth culture in Iran.  Extremely moving … and brave  … and helped by an excellent cast, beautifully photographed, great soundtrack.  A definite must-see. 
★★★★★★★★

CODEPENDENT LESBIAN SPACE ALIEN SEEKS SIMILAR

As the title suggests this is a very campy take on all those wonderfully dreadful Sci-Fi 'B' Movies.  The Aliens are convinced that their over-active emotions will destroy the ozone of their planet and the only way around this is go to earth and have their hearts broken.   One Alien finds a lesbian stationary clerk who is so out of it she never grasps the fact that she is dating someone from another planet, while another two Aliens realizing how needy earth women are decide to settle with each other and an abundant supply of cheesecake.

It ‘s a great late night movie to watch when you are tucked up in bed (with an earthling) and want to have a good laugh before you nod off.
★★★★★★

A FEW DAYS OF RESPITE.

This movie opens with two Iranian gay men who are fleeing their country (to avoid being executed as is the norm for homosexuals in Iran) and they have been dropped off at a railway line in the French countryside from where they can walk to the Station and catch a train, which will eventually get them into Paris.  Mohsen the older man thinks it best that they don’t appear to be together and so he sits on the train next to a woman who he has helped board and she starts chatting and by the time they have reached their destination  has offered him a few days work painting some rooms in her apartment. 

That took up the first hour of this 80-minute film and the most interesting thing that happened so far was watching the paint dry, so we left.   I’m guessing from all the furtive looks that the woman fancied Mohsen but then got upset (and maybe did something stupid?) when she discovered that his boyfriend was back in the wee hotel.  Despite the title, there was no respite for us,  and if you do sit through to the end, then pls. let me know what happened and I will try and look interested.



THE GREATEST MOVIE EVER SOLD

Morgan Spurlock who picked up an Oscar Nomination for his tongue-in-cheek documentary on fast food ‘Supersize Me’, is back on form with his take on the thorny subject of product placement, marketing and advertising in movies.  He naturally takes it one step further by getting this whole movie financed entirely by the subject he is examining.  A madcap but kind of very shrewd idea which when he explains it, all makes perfect sense.  In his steady hands, his very quick wit and more than a dash of his scathing humor he succeeds in not only getting the film made, but it is a superbly entertaining one too.
★★★★★★★★
 




THE GUARD


This joyous wee movie tells the story of Sergeant Garry Boyle a member of the Irish Garda (Police) in a remote town in Galway.  Sgt. Boyle has a very subversive sense of humor, a confrontational personality, a dying mother, a fondness for prostitutes, and absolutely no interest whatsoever in the international drug-smuggling ring that has brought an FBI Agent to his door. What unfolds is an unpredictable and exhilarating sort-of-cops and robber story.

This superbly irreverent comedy is the debut feature of writer/director John Michael McDonough, but it is the gifted cast that makes it such an hilarious treat.  Especially the incomparable Brendan Gleason whose flippant deadpan performance is priceless.  Unmissable.
★★★★★★★★★


GUN HILL ROAD

Enrique returns home to the Bronx after a lengthy spell in Prison to discover that Angela his wife is distant to say the least, and his son Michael is now a transgender woman and known as Vanessa. None of this sits well with headstrong Enrique who views these changes as a personal threat to his masculinity and to his position as head of the household. His only way of coping means that he soon slips back into his criminal ways and almost risks losing everything.

An impressive first feature from writer/director Rashad Ernesto Green that so neatly captures a slice of life in this Latino neighborhood.  It’s a complex family drama that sensitively tackles all their issues unflinchingly with more than tad of humor.  A tough subject superbly filmed, and a joy to watch.
★★★★★★★★

HAPPY HAPPY


Set in the middle of winter in the middle of nowhere in the middle of Norway this very cold ‘comedy’ is about two couples  bored with each other and they try a bit of wife swapping to liven things up.  Well, it's not exactly like that as one of the husbands hits on the other man, but when rejected has to make do with the other wife instead.  Two other memorable things : for some unexplained reason one couple has adopted an african child who looks even darker in this landscape, and secondly they eat moose meat at every meal which I guess makes sense.

An interested well constructed movie but I’m not sure if it’s the fact that you don’t really get to like any of the rather annoying characters, or just the fact that there is all that snow, but this was not an engaging film.

Originally titled ‘ Sykt Lykkwlig’ in Norwegian, so maybe something was lost in translation cos it certainly was not 'Happy Happy'. 


P.S. It subsequently won the Grand Jury Prize for Best World Drama, so I could be in a majority of one this time, but somehow I think not.
★★★★
Click for original Norwegian Trailer


KABOOM

An unrestrained and completely over-the-top pansexual campus comedy by famed queer filmmaker Greg Araki.  Brilliant funny at first until ridiculous supernatural elements of the story totally lose the plot and ruin the last 20 mins, of a very promising movie.  



This one is already being shown in cinemas in NY & LA and will soon be available on V.O.D.
★★★★★★


KNUCKLE

A Documentary shot over 12 years about 3 close-knit families of Irish ‘Travelers’ who aim to settle decades of long standing clan feuds with bare knuckle fighting. The language is as violent as the brawls themselves. Completely fascinating but spoiled by uneven editing that haphazardly mixes the chronological order that confuses the plot.

It has been bought by HBO to be made into a fictional series : the mind boggles.
★★★★★★


LIFE IN A DAY

You Tube linked up with Academy Award winning director Kevin MacDonald and celebrated  producers Ridley and Tony Scott and invited the whole world to film whatever happened in their lives on one single day : July 24th 2010.  They were totally overwhelmed when some 8000 people from 192 different countries sent in over 4000 hours of footage, but somehow from all of that have constructed a rather brilliant 90 min movie.

Most of it is very happy and very personal. The message of the movie is one of connection. In the words of the producers ‘regardless of where we live, what language we speak, or our circumstances in life, we all need to connect with others to make our lives whole.’  Corny as it may seem, it actually works and the result is an amazing cornucopia of so many astonishing  different lives that make a real cinematic experience.
★★★★★★★
Click for Trailer


LOST KISSES

Manuela is a teenager living with her dysfunctional family in a working class suburb in Sicily when a newly installed statue of the Madonna mysteriously loses its head. Manuela claims she had a visitation by The Virgin Mary who tells her exactly where the head is hidden. Word gets out and suddenly Manuela’s ‘miracle’ is the talk of the neighborhood and her apartment is overflowing with people demanding more miracles.

It's an eccentric and rather bizarre comedy with its rather exaggerated characters and too many irrelevant scenes that seem to add nothing to the plot at all.   Disappointing
★★★★★

MARTHA MARCY MAE MARLENE

Martha escapes from an extreme Cult where she has been living and moves in with her newly married older sister and tries and live a ‘normal’ life again.  The trouble is that Martha was probably never ever ‘normal’ even before she suffered all the abuse from the members of the Cult, so her attempts at assimilating herself into her sisters new life risks all their happiness esp. when her paranoia kicks in, as it does often for no real rhyme or  reason.

This psychological drama was being misguidedly over-hyped as potentially the big breakout movie of Sundance i.e. this year’s The Winter Bone (a 2010 that went on to get 2 Oscar nominations).  It is an interesting and good movie but its flawed script leaves the story floundering at times, and our interest along with it too.  The biggest selling point is the fact that it stars Elisabeth Olsen, the younger sister of THOSE twins, and she, unlike her siblings, can actually act.
★★★★★★

OLD CATS

Isadora and Enrique are an elderly couple living in a large comfortable apartment with their two old cats. The bane in their life is their highly strung daughter Rosario and her butch girlfriend Hugo who want them to bankroll their latest hare-brained money-making scheme.  However Isadora is in the early throes of Alzheimer's and she does something quite unexpected, and everything changes.

This enchanting and engaging movie is written and directed by Sebastian Silva and Pedro Peltrano, the talented pair of Chilean filmmakers who bought us the Award Winning delightful hit 'The Maid'  and in fact some of the same cast are in both  movies.  Highly recommended.
★★★★★★★★


PAGE ONE : A YEAR INSIDE THE NY TIMES

A wonderful insight behind the scenes of one of the world’s greatest newspapers in a tumultuous period where it deals with its very own survival, as well as competing newspaper groups, in a rapidly evolving new world that has completely changed the landscape of the news media.  The other major news story the movie focuses on is the emergence of Wiki Leaks and its power-mad and somewhat unstable leader Julian Assange who proves to be as difficult to handle as the news he wants to process.

This riveting movie makes compelling viewing as you realize how very earnest the editorial team is in their efforts to maintain an impeccably high standard in all their reporting and writing.  The one star that shines bright from this documentary is David Carr who emerged from his own very colorful and drug hazed past to become one of the very best analysts and commentators on current media affairs. He is a real joy to listen too, and I’m going to ensure that (along with the must-read pieces from op-ed writers Maureen Dowd and Frank Rich)  I will never miss Mr. Carr’s work ever again in the future.  Totally fascinating.
★★★★★★★★★

PARIAH

A brilliant coming-of-age story of a butch black highly intelligent teenage girl who struggles to reconcile being gay within the confines of her conservative middle-class home. Her meddlesome bible-thumping mother is in denial of both her husband’s infidelity and her daughter’s sexuality thus creating more angst. 

A thought-provoking film enlivened with some neat touches of humor from first time writer/director Dee Rees.  It shows a tough story in a really refreshing manner and despite the focus on the strains it places on this family, it never gets melodramatic.

P.S. Its been picked up by Participant, a major  Film Distributor which may mean that it will get the larger audiences it deserves and not just be restricted to film festivals.
★★★★★★★★
REAGAN

This excellent documentary on the B Movie Actor who became the 40th President of the US makes no bones of the fact that people either loved the man or absolutely hated all he stood for.  When you fall into the later group it is hard to be dispassionate about seeing a film about an enormously important figure in one’s own history that managed to make a privileged few extremely wealthy at the cost of so many other lives.  And tough to think good about a powerful man who stood and ignored the AIDS epidemic explode on his watch and wouldn’t even publicly acknowledge it's very existence until it was far too late for many people.  Like another moving documentary we also saw at Sundance ‘We Were Here’, if nothing else we need these movies to remind ourselves of how the reality was, and not how history will re-write it in the future.
★★★★★★★


SHUT UP LITTLE MAN

In 1987 two young men moved from Wisconsin for the bright lights of San Francisco and ended up leasing a dreadful apartment in a great neighborhood.  With paper-thin walls they soon heard every minute detail of the running battle between the two alcoholic middle-aged men who shared the next-door apartment.  One was a raging homophobe and the other a flamboyant queen. The constant screaming matches and viscous fights were scarily very entertaining so the young men hung a microphone outside their window and for the next 18 months taped all the abusive altercations.

They made copies of their tapes to just give to friends who in turn made more copies to give to their friends, and before very long they became an underground sensation.  The notoriety led to comic books being written, and then a play and several different attempts to convert the whole story into a movie.  And this movie tracks it all from 1987 until the present time and includes the not-so-young-men-anymore actually meeting up with their neighbors some 20 years later.

I totally loved it as the whole thing is too funny for words, and a nice reminder that we had viral hits way before the internet and youtube. 
★★★★★★★★
Click for Teaser


SING YOUR SONG

A stunning documentary on Harry Belafonte singer/actor/activist that with a treasure trove of wonderful archived footage gave an in-depth insight to this biography of this multilayered and inspiring man.

★ ★ ★ ★ ★ ★ 
★ ★ ★
Click for Trailer






SUBMARINE


Fifteen-year-old Oliver Tate is decidedly weird and extremely delusional which is all part of his charm.   When he’s not day dreaming at school about the imagined outburst of nationwide grief that would occur if he died, he has two big ambitions.  He is desperate to lose his virginity before his next birthday, and he also wants to save his parents’ marriage when he thinks his strait-laced mother is having an affair with their New Age weirdo neighbor.  Ho sober act.  He aggressively pursues Jordana a self-professed pyromaniac to be his girlfriend, and after they ‘consummate;’ the relationship his idea of romancing her is discussing where Nietzhe got it all wrong.

This wonderfully quirky comedy from Wales of all places is an absolute gem.  The two young leads turn in performances that hint at real stardom ahead for them, and alongside them as the mother is Sally Hawkins who I initially really loathed in ‘Happy Go Lucky’ and has now become one of my favorite actors, (don’t miss Made in Dagenham).

For me, ‘Submarine’  is quintessential Sundance: giving an audience to a wee independent very accessible comedy that would normally otherwise fall under the radar.
★★★★★★★★


TERRI

Terri is a fat adolescent boy who lives with his ailing uncle in a small suburban town. He is a bit of a loner who insists on wearing pajamas to school (cos they’’re comfortable) and he is teased relentlessly by the other pupils at school and totally ignored by all the teachers until one day the Mr. Fitzgerald, the Vice Principal, takes him under his wing.  Mr. Fitzgerald sees a lot of himself in this insecure and misunderstood kid, and he encourages Terri to not only believe in himself and that life should not just be endured, but actually enjoyed.

This captivating comedy succeeds so well because of the two main lead actors.  John C Reilly adds his usual deft touches in making Mr. Fitzgerald both believable and likable, but it is the breakout performance from young unknown Jacob Wysocki as Terri that makes this movie a real joy to watch.
★★★★★★★★


THESE AMAZING SHADOWS

When Ted Turner bought some major Film Studios back in the 80’s he ended up owning a lot of treasured classic movies and decided that he wanted to update them to introduce them to a new audiences.  He dabbled with a new process called colorization, which gave computer-generated color to black and white movies, which was met universally with an outcry that he was tampering with our movie heritage.  The strength of the protests eventually led to the formation of the National Film Registry, part of the Library of Congress that each year selects 25 movies, or film clips, to be added to the Registry and saved for the nation and future generations.

This fascinating look behind the scenes on whole process of which movies make it and why, is interspersed with interviews from notable filmmakers and archivists alike, plus plenty of clips of their sometimes surprising choices.

This is a must-see for anyone remotely interested in movies at all, and if actually know anyone on the Board, do tell them that I would love to help out anytime they need it.
★★★★★★★


TYRANNOSAUR

Joseph is a tormented self-destructive and angry drunken old man whose sad life seems one violent episode after another.  One day he runs into a Charity Thrift Store to avoid a mob and encounters Hannah the Manager, who as  devout Christian. offers to pray for him.  On a subsequent visit he soon discovers that Hannah’s life is far from perfect and she has more than her fair share of problems.  What develops in this unconventional love story is unexpected and almost as bleak as the setting of this Northern British town.

This movie is the impressive directing debut of actor Paddy Considine who extracts peerless performances from Peter Mullen and Olivia Colman in a truly fascinating drama.

★★★★★★★



WE WERE HERE

An emotional and moving account about all the wonderful men and women that died from AIDS in San Francisco.  That devastating era is traced through the testimony of 5 people from all walks of life who elegantly articulated their memories to the thousands of people who are physically gone but who are certainly not forgotten

Compassionately filmed by David Weissman, whose previous movie was a doc on a SF institution from the 80’s ‘The Cockettes’, this movie may not have anything ground breaking new to add to the scenario, but it recognizes the importance of bearing witness whilst the people left behind are still alive.

Essential viewing,
but take a box of Kleenex with you.
★★★★★★★