There is an overwhelming sense of sadness that strikes
from the very first moment we catch sight of Albert Nobbs going about his
duties with such unsmiling exactitude in the posh Dublin Hotel where he works
as a Butler cum Waiter. It's sometime in
the late 19th Century and Albert has been working in the Hotel since
he arrived as a 14 year old 40 years ago. In these depressed economic times
Albert has lived with the secret that he is actually a woman in disguise
because it is the only way that he/she can get any economic security. As the story slowly unfolds we see that the
pain that he lives with as a result of his subterfuge is a very high
price to pay.
One day the Hotel is being repainted by Hector and so Mrs.
Baker the owner insists that he bunks in with Albert overnight. It is
inevitable that even with his cunning that Hector will spot Albert’s true
gender, but as it turns out, he too is also a woman in disguise. In Hector’s case the reasons are however emotional and sexual, as he has set up home with a wife that he clearly loves.
Hector’s supreme confidence is an eye-opener to Albert
who starts to think of some possibilities he would never have ever even dared
dreamed off before. He has been hoarding
away every single penny of his tips under his bedroom floorboards so that he
can one day leave the Hotel and open a wee Tobacconist Store of his own. Now he
feels emboldened to ask Helen, one of the hotel maids, to ‘step out’ with him
and even consider marriage. Helen however wants
more than a business proposal but some romance too (that she is already getting with
the hot maintenance man). Helen will however prove to be the undoing of him yet.
This was very much Glenn Close’s movie in every sense of
the word. She first played Albert in a stage play back in the 80’s and has been trying to bring it to the screen
since then, and she even co-wrote the script. Both she and co-star Janet McTeer
deservedly garnered Oscar nominations for their performances, and they also had a
most impressive cast of supporting actors, Mia Wasikowska, Jonathan Rhys Meyers, Aaron Johnson, Brendon Gleeson,
Brenda Fricker & Pauline Collins
This extremely likable movie on a very touching topic is one that engages you
from the first scene, and as you get connected to the characters, particularly
Albert and Hector, you really will the story to succeed. And it does, almost. Despite the passion that Glen Close has
invested in playing Albert with great sympathy and credulity, and the even more
stunning turn that Janet McTeer does imbuing such depth into Hector, there is
still this overriding feeling that this fascinating movie somehow failed to
live up to its full potential. It was
still very good, but it had promised to be great.
★★★★★★★★
★★★★★★★★