Swedish investigative
journalist Mikael Blomkvist has just lost a high-profile libel case against a
corrupt industrialist, which has wiped out both his bank account and probably
his reputation. He is approached by the ultra-wealthy Henrik Vanger to solve the
mystery of what happened to his niece Harriet who disappeared into thin air
almost forty years ago. Vanger believes
someone in his very dysfunctional family is responsible, and as we meet them
one by one we can understand why he should harbor such suspicions. Blomkvist disgraced
and broke and keen to lay low in the country for a while, accepts the
assignment, and during his investigations, he discovers a series of earlier
killings that may or may not relate to Harriet’s disappearance. He gets
somewhat overwhelmed with all the detail and asks for help and he is given the
brilliant and antisocial researcher Lisbeth Salander, who had investigated
Blomkvist himself before Vanger would hire him, is brought in to assist him.
As the title suggests Lisbeth is no ordinary looking
women and along with her tattoos and body and facial piercings she has a fierce
punk hair cut that matches her demeanor. Because of her criminal past she is
still a Ward of Court and her Guardian exploits her sexually before he will
dole out her allowance. Or that’s what
he thinks until Lisbeth turned the table after the 2nd brutal rape
scene in the movie, but this time she is the aggressor. It's also clue that that this powerful gritty story is not for the feint hearted.
It is in fact an enthralling and spellbinding thriller superbly made
by the masterful director David Fincher
('Zodiac', 'Fight Club' etc.) and is possibly the best new release in this Christmas
week packed full of cinematic treats. It will definitely keep you on the
edge of your seat for the entire 158 minutes even if you have read the bestselling novel by Stieg Larsson it
was based upon, or seen the original excellent Swedish movie released in 2009 This is where I have to eat my own words as
when I blogged the first movie I had got wind that a Hollywood version was
already on the cards and I was typically horrified. I have yet to see a remake that is anything as
good as the original. And I still
haven’t, as this was actually much better, and frankly I think it unfair on
Mr. Fincher to even label this such as he has filmed Larsson’s novel in very
much his own idiom. He has tinkered with
the original story and made it tauter and tighter that made the plot flow more
cohesively, and with the help of his cinematographer, he has directed a really
highly dramatically visual treat.
The story is now much more focused on Lisbeth,
stunning played by the relatively unknown Rooney
Mara (who had a small role in Mr. Fincher's last movie 'The Social
Network') and this is definitely going to get her Nominated for Best
Actress. Playing Blomqvist was no tough
stretch for Daniel Craig who is used to being cast as the good guy who gets
beaten up a bit chasing the bad guys whilst all sorts of women jump into bed
with him regardless. The wonderful Christopher Plummer is the patriarchal
Vanger and he may possibly pick up a Best Supporting Nomination for this (Trivia
point: also in the movie is Goran Visnjic who played Mr. Plummer’s boyfriend in
his last movie ‘Beginners’). The mainly Anglo/American cast also includes some
acting stalwarts such as Stefan Berkoff, Joely Richardson, Robin Wright, and Stellan Stargard. The only odd, and slightly annoying, element was that none of them could get a real handle on a Swedish accent .... some of them made brave attempts and failed, and Mr Craig never even bothered. Thanks God for Mr Stargard who had an inbuilt advantage over them all.
★★★★★★★★★★