Wednesday, March 14, 2012

THE ILLUSIONIST


Based on a script by the late great Jacques Tati the French comic genius and directed by Sylvain Chomet ('The Triplets of Belleville') one knew that this film would have to be good.  And probably even much better than that.  And it was, and more.

The story involves a sad lanky French magician named Tatischeff who is slowly coming to realize that now it's the early 1960’s the Music Halls are a dying art.  He therefore has to take work wherever he can and when he lands up in a Pub on a remote Scottish island, he discovers he has one fan at least.  She follows him to Edinburgh and cooks, cleans and does everything to make him happy (other than THAT!).  He lavishes what little money he has on her even though he now struggles to find any work at all, and she is making eyes at the handsome young romeo that lives next door.

If you have seen ‘the Triplets’ then you will know the wonderful exaggerated sense of style of Chomet’s beautiful animation that is a sheer joy to watch.  (If you haven’t seen it, where have you been?)  Tatischeff is a re-incarnation of Tati’s M. Hulot and is as poignantly funny, though of course nothing ever goes right for him.  And once again M. Chomet proves that words are really not necessary to tell a story.

I first viewed this in London c. 18 months ago when it was just released, but never got around to ‘blogging it’ which was the main reason I sat down to watch it again.  I’m so pleased that I did because there is so much wonderful fine detail in every nuance of the film that I had somehow  overlooked or had simply forgotten.

A worthy successor to his Oscar Nominated ‘Triplets’ and I’d like to think that M Tati would approve too.  If you didn't see it first time around, its now available on DVD,  put it on your 'Must See List'.


★★★