Wednesday, January 18, 2012

THE IRON LADY


Ask any Brit and they will most certainly know when the first started disliking That Woman.  For me it was 1971 when in her first Cabinet job as Education Secretary she cut out free milk to school kids to save a few pounds and earned herself the moniker 'Milk Snatcher' which still sticks to her today. So I went into this movie hating the woman but wanting to love this version of her story, and I was not disappointed.

Filmmaker Phyllida Lloyd’s movie from a script by Abi Morgan is no hagiography.  It starts, and mainly focuses, on the ex Prime Minister in her dotage coping with the senility and/or Alzheimers, trying to simply get through her daily life comforted by the visitations from her dead husband Denis.  It is a compelling image, seeing someone who was once the most powerful female leader in the World now in such a debilitated state.

In a series of flashbacks the movie shows a young Margaret Roberts starting out from her humble beginnings as a Grocer’s daughter and against all odds becoming an MP for of one of the most chauvinist political parties. Surrounded by wealthy men from privileged backgrounds who assumed power was their birthright, she not only broke through the ranks, but also beat the lot of them at their own game to become their Leader and then Prime Minister.

The story was highly edited and included only a few of the landmarks of her career and life, and even when touching on some of her more contentious actions, it did so without comment or bias.  Significantly one of the most telling scenes was a close up of Thatcher taking control in the Falkland war, as this was a major turning point in her career. Prior to this she was so hated that her approval ratings where the lowest ever for any serving Prime Minister, in the UK and after her gung ho ordering the sinking of the Argentinian Warship Belgrano (even though it was sailing AWAY from the Falklands), she became the nation’s darling again.  For a time anyway.

The movie’s success however is less to do with what parts of Thatcher’s life it covered but by the superlative performance of Meryl Streep.  This was no mere clever impersonation as Ms. Streep captured the very essence of the woman not just in her mannerisms and that voice but especially in her chilling icy stare. It was a sheer joy watching her totally inhabit her whole persona even though I can still feel nothing but disdain for the woman who did so much irreparable damage to the whole structure of our society.

Aside from Ms. Streep’s performance, this is not the definitive portrayal of Thatcher, and I don’t think it should be even judged as a pretender to that claim.  The movie doesn’t pander to either those of us who still hate her, or those that still think she was holier than Mother Theresa.  It does however give one distinct viewpoint of how this infamous woman who grabbed the reins of power too tightly, lost the plot, and wouldn’t let go so the reins were snatched out of her hands, and she never recovered any equilibrium.


Ms Lloyd is a celebrated Opera Director and that shows some times especially in the over-the-top dramatic way she handles Thatcher's final exit from Downing Street which is almost as camp as a scene from Ms LLoyd's other claim to fame viz Mamma Mia the movie!

Aside from that it’s a tough movie for non-Brits to sit through because the quick glances of say the Poll Tax Riots simply do not send the same shudder down one’s back as it does automatically for us. And there are all  those in other countries whose lives and livelihoods were not ruined by her, still regard her as a Saint.  Especially in the USA.  But at least this fine film did get made.  Can you ever imagine if anyone was brave enough to propose a similar movie about Reagan! OMG!

Unmissable.  Love the performance and hate the woman.


★★★★★★★